|
Promenade Theatre, New York
|
|
THE COCKTAIL HOUR (World Premier)
|
Jack O’Brien
|
1988
|
|
The Kennedy Center
|
|
|
“
|
1989
|
|
Ahmanson Theatre, Los Angeles
|
|
|
“
|
1990
|
|
Old Globe Theatre
|
|
|
“
|
1988
|
|
|
|
|
|
|
|
Manhattan Theater Club, New York
|
|
ALLIGATOR TALES
|
Sharon Ott
|
1998
|
|
|
|
|
|
|
|
John Houseman Theatre, New York
|
|
*ABOUT TIME (World Premier)
|
Tony Giordano
|
1990
|
|
Buffalo Studio Arena
|
|
|
“
|
1990
|
|
|
|
|
|
|
|
Playwrights Horizons, New York
|
|
ANOTHER ANTIGONE (World Premier)
|
John Tillinger
|
1988
|
|
Old Globe Theatre
|
|
|
“
|
1988
|
|
|
|
|
|
|
|
Criterion Center, New York
|
|
SUDS
|
Will Roberson
|
1988
|
|
New Century Theatre, Toronto
|
|
|
“
|
1988
|
|
|
|
|
|
|
|
Subaru Acting Company, Tokyo
Milwaukee Repertory Theatre
|
|
*SILENCE / CHINMOKU (World Premier)
|
Ganshi Murata
&
|
1995/98
1995
|
|
Japan Society, New York
|
|
Japanese National Tour & US Tour
|
Joe Hanreddy
|
1998
|
|
|
|
|
|
|
|
Oregon Shakespeare Festival, Ashland
|
|
*TAMING OF THE SHREW
|
Ken Albers
|
2000
|
|
|
|
*MUCH ADO ABOUT NOTHING
|
James Edmondson
|
1999
|
|
|
|
|
|
|
|
Old Globe Theatre
|
|
THE WAY OF THE WORLD
|
Jack O’Brien
|
1979
|
|
(Over 95 designs from 1979 to 2001)
|
|
A MIDSUMMER’S NIGHT’S DREAM
|
“
|
to
|
|
|
|
OTHELLO
|
“
|
2001
|
|
|
|
*OVER THE RIVER AND THROUGH THE WOODS
|
Craig Noel
|
|
|
|
|
NIGHT OF THE IGUANA
|
“
|
|
|
|
|
TARTUFFE
|
“
|
|
|
|
|
LONDON ASSURANCE
|
“
|
|
|
|
|
RASHOMON
|
“
|
|
|
|
|
OF MICE AND MEN
|
“
|
|
|
|
|
*ON THE VERGE
|
“
|
|
|
|
|
*THE BOILER ROOM (World Premier)
|
“
|
|
|
|
|
CORIOLANUS
|
John Hirsch
|
|
|
|
|
*CLAP YOUR HANDS (World Premier)
|
Ellis Rabb
|
|
|
|
|
MUCH ADO ABOUT NOTHING
|
Brian Bedford
|
|
|
|
|
THE RIVALS
|
Joe Hardy
|
|
|
|
|
TAMING OF THE SHREW
|
“
|
|
|
|
|
THE MISER
|
“
|
|
|
|
|
ART
|
“
|
|
|
|
|
*THE WEIR
|
“
|
|
|
|
|
*THINGS WE DO FOR LOVE
|
“
|
|
|
|
|
*THE OLD BOY
|
Paul Benedict
|
|
|
|
|
COMEDY OF ERRORS
|
David McClendon
|
|
|
|
|
*NEVILLES’ ISLAND
|
Andrew Traister
|
|
|
|
|
*BURNING HOPE
|
“
|
|
|
|
|
*BELOW THE BELT
|
“
|
|
|
|
|
|
|
|
|
Seattle Repertory Theater
|
|
THE GOLDEN CHLID
|
Sharon Ott
|
1999
|
|
|
|
ALLIGATOR TALES
|
“
|
1999
|
|
|
|
|
|
|
|
American Conservatory Theatre
|
|
THE POPE AND THE WITCH
|
Richard Seyd
|
1992
|
|
|
|
THE LADIES OF JAZZ
|
Carey Perloff
|
1993
|
|
|
|
BON APETIT
|
“
|
|
|
|
|
|
|
|
|
La Jolla Playhouse
|
|
GHOST ON FIRE (World Premier)
|
Timothy Near
|
1985
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Milwaukee Repertory Theatre
|
|
*THE FORCE OF NATURE (World Premier)
|
Joe Hanreddy
|
1993
|
|
|
|
*PARAGON SPRINGS (World Premier)
|
|
to
|
|
|
|
*SIX CHARACTERS IN SEARCH ...
|
|
2000
|
|
|
|
*THE IMPORTANCE OF BEING EARNEST
|
|
|
|
|
|
*ARCADIA
|
|
|
|
|
|
*WOMAN IN MIND
|
|
|
|
|
|
DANCING AT LUGHNASA
|
|
|
|
|
|
LOVE’S LABOUR’S LOST
|
|
|
|
|
|
*ROCKET MAN
|
Andrew Traister
|
|
|
|
|
|
|
|
|
The Cleveland Play House
|
|
THE LADY FROM THE SEA
|
Jackson Phippin
|
1996
|
|
|
|
*THE FRONT PAGE
|
Jeffrey Hayden
|
to
|
|
|
|
*SMALL FAMILY BUSINESS
|
Edward Payson Call
|
2004
|
|
|
|
*THE BLUE ROOM
|
“
|
|
|
|
|
*DINNER WITH FRIENDS
*VINCENT IN BRIXTON
|
Seth Gordon
|
|
|
|
|
|
|
|
|
Berkeley Repertory Theatre
|
|
DREAM OF A COMMON LANGUAGE
|
Sharon Ott
|
1985
|
|
|
|
*IN PERPETUITY THROUGHOUT THE UNIVERSE
|
|
to
|
|
|
|
*YANKEE DAWG YOU DIE! (World Premier)
|
|
2000
|
|
|
|
*TOOTH OF CRIME
|
|
|
|
|
|
*VOLPONE
|
Tony Taccone
|
|
|
|
|
MAJOR BARBARA
|
|
|
|
|
|
THE CONVICT’S RETURN (World Premier)
|
|
|
|
|
|
*LIFE DURING WARTIME
|
|
|
|
|
|
*MISSING PERSONS
|
Penny Metropulos
|
|
|
|
|
*FISH HEAD SOUP (World Premier)
|
Oskar Eustis
|
|
|
|
|
*VID
|
John O’Keefe
|
|
|
|
|
DIARY OF A SCOUNDREL
|
Jeff Stietzer
|
|
|
|
|
*SPEED-THE-PLOW
|
Richard E.T. White
|
|
|
|
|
|
|
|
|
San Jose Repertory Theatre
|
|
*THE WIND CRIES MARY (World Premier)
|
Eric Simonson
|
1990
|
|
|
|
*ENTER THE GUARDSMAN
|
Lillian Groag
|
To
|
|
|
|
CLOSER THAN EVER
|
M. Milgrom Dodge
|
2002
|
|
Denver Center Theatre Company
|
|
*THE FRONT PAGE
|
Jerry Zaks
|
1983
|
|
|
|
THE TEMPEST
|
Ed Call
|
to
|
|
|
|
ARMS AND THE MAN
|
Ed Hastings
|
1984
|
|
|
|
*ROMEO AND JULIET
|
Caroline Eves
|
|
|
|
|
SPOKESONG
|
Peter Hackett
|
|
|
|
|
|
|
|
|
El Teatro Campesino
|
|
CORRIDOS
|
Luis Valdez
|
1985
|
|
|
|
|
|
|
|
Alliance Theatre Company
|
|
*AIN’T MISBEHAVIN’
|
Arthur Faria
|
1992
|
|
|
|
*SAID SAID
|
Sharon Ott
|
2006
|
|
|
|
|
|
|
|
Arizona Theatre Company
|
|
MISALLIANCE
|
Michael Maggio
|
1982
|
|
|
|
FOOL FOR LOVE
|
Gary Gisselman
|
to
|
|
|
|
WHAT THE BUTLER SAW
|
|
2003
|
|
|
|
*AIN’T MISBEHAVIN’
|
Arthur Faria
|
|
|
|
|
*HOW THE OTHER HALF LOVES
|
Andrew Traister
|
|
|
|
|
|
|
|
|
GEVA
|
|
*HOUSE & GARDEN
|
Mark Cuddy
|
2001
|
|
|
|
WHO’S AFRAID OF VIRGINIA WOOLF?
|
Andrew Traister
|
2000
|
|
|
|
|
|
|
|
|
|
|
|
|
|
OPERA San Diego Opera
|
|
*THE CONQUISTADOR (World Premier)
|
Sharon Ott
|
1997
|
|
|
|
*THE LIGHTHOUSE
|
Jack O’Brien
|
1986
|
Palm Beach Opera
|
|
LA BOHEME
|
Antonello Madau Diaz
|
1999
|
|
|
|
SAMSON RT DALILA
|
Michael Leinert
|
1998
|
|
Virginia Opera
|
|
DIE FLIEGENDE HOLLANDER
|
Lillian Garrette-Groag
|
1996
|
|
Opera San Jose
|
|
WERTHER
|
Olivia Staph
|
2007
|
|
|
|
THE MERRY WIDOW
|
Jay Julian
|
1993
|
